In 2020, Bryan Estepa released two new songs, continuing on from the success of his exceptional 2019 album Sometimes I Just Don’t Know. The second of those singles, ‘Admit Now, Pay Later’, received a video premiere on Rolling Stone Australia, was featured on NME Australia and had strong national radio airplay – including selection as one of the featured Singles of the Week on 2ser FM in Sydney. Now the Sydney-based Filipino songwriter reveals the second of his collaborative efforts with multi ARIA and APRA award-winning Australian songwriter Josh Pyke.
Estepa has always had an undeniable ear for hooks. Combined with classic pop and rock arrangements, (like his heroes You Am I, The Beatles and Wilco) his songs always possess a timeless quality. He’s proved it over and over again across six acclaimed albums and live shows in Australia, Japan, the USA, UK, Spain, Sweden and the Philippines.
On ‘Trick of the Light’, Estepa combines heavenly melodies and a melancholic air on this irresistible slice of indie guitar pop, singing about acceptance, letting go and allowing yourself to feel whatever it is that comes out while you’re treading new waters. As always with his songwriting, there are layered poetic brushstrokes in the way Estepa blends and informs his songs with multiple meanings, as he explains. “I also like the idea that the presence of light does not necessarily signal happiness or life but can also mean that emotions and perception can be blurred by its appearance.”
Working with Pyke, Estepa was impressed with the producer’s instinct and ability to enhance the inherent strengths of Estepa’s songs. “It’s exciting watching Josh work! You sense that his creative light is always on and he needs to get his ideas out quickly before it starts to flicker. He takes on what I think the song’s direction might be but adds a couple of detours that are normally right on the money.”
Pyke is quick to reciprocate the praise. “Bryan’s a great writer and collaborator. He’s got a classic pop sensibility but is really open to feedback and experimentation which made my job as producer really fun and free.”
Sonically, there’s a beautiful weightlessness to the production and instrumentation that gracefully carries the song. Guitars sparkle and lightly jangle amid some sublime piano, backing vocals and percussive elements that add unique detailing to the melodic richness of the track.
